What is a ‘Step Outline’?
A
Step outline is a detailed telling of a story intended to be turned into a
screenplay for a motion picture. The step outline is used to detail every scene
and ‘beat’ of a screenplay’s story, and often has indications of dialogue and
character interactions.
Your
extended step outline can be broken down in to acts and should follow a
standard three-act structure (beginning/middle/end) and be either a complete
scene, or an extract from a complete film.
It
must also be highlighted that your step outline should not contain any
dialogue. The reason for this is to give you space to describe the setting
and what is going on without worrying about what is being said or how it is
being delivered. You must visualise the setting and the micro-elements
without reliance on dialogue carrying the scene and means you will be focused
on mise-en-scene, sound and how it may be shot and edited.
Support
Elements
|
Explanation/Support
|
The
Scene Number
|
The
number of the scene from the entire film.
|
Slugline
|
This
is essential information, It begins with the designation of INT (Interior) or
EXT (Exterior), the location, and whether it is day or night.
|
Endpoint
of last scene
|
This
usually consists of a few lines to ‘set the scene’, and serves as a context
for the current scene. It is here that you will see whether scenes flow or
not.
|
Characters
in scene
|
Simply
a list of characters (if they are mentioned here then they must be seen in
the scene).
|
‘Point
of scene’
|
This
is key to the motivation of the scene and the direction it will take. Behind
all scenes there is a key point that is the reason why the scene exists. If
you cannot find a point to the scene then the scene should be deleted. The
point can be character driven, narrative driven, or merely even structural
(getting characters from A to B).
|
Conflict
|
Another
essential piece of information. All scenes should have some form of conflict,
as conflict drives scenes along. Without conflict a scene serves no purpose
and so should be excised.
|
Ending/central
question
|
This
defines the motivation at the end of the scene towards which the scene should
be written. The question posed serves as motivation for a subsequent scene
where the question will be answered and may be resolved.
|
Key
micro elements employed
|
A
list of the ‘key micro elements’ you intend to use.
|
Scene
description
|
The
large section is devoted to ‘scene description (without dialogue)’. This can
also be known as the ‘exposition’ This section should offer a concise but
visually descriptive focus on the scene’s events. Dialogue is unnecessary
here.
You
should always be wary of writing something that cannot be physically
expressed – a thought, for example.
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